Corey Feldman on new music, writing songs for dead friends and putting his abusers in a music video: exclusive



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The second part of our interview with Corey Feldman covers his writing and his new box set, Love Left 2.1. Hear his thoughts on the 35th anniversary of the lost boys here.

Corey Feldman is worried about filming during the COVID-19 pandemic, in part because he feels like there’s nothing he can do about it.

“A lot of my friends who are in bands do these bubbles,” he says Result. “We unfortunately can’t do that, because if I did that, we would lose half the appeal, because half the appeal of coming to the show is the meet and greet afterwards.”

People don’t just pay for music, you see, and maybe it’s more the opposite: music is the aperitif before the meeting. More fun than a convention and maybe more lucrative too, but the lure is the same: a picture, an autograph, a piece of Corey Feldman you can own.

“Fans are very excited to come say hello and get a photo and get a photo. If you can’t do it, because of COVID, it would basically kill the tour,” he says. “So we have to do it, which makes it very scary. Any member of the band gets sick, that’s my ass, right? He explains, “You can’t say, ‘I want to wear a mask during this photoshoot’ or ‘Don’t stand near me’.”

I ask him if he likes touring, which he takes as an invitation to list his other loves. “Women are my number one thing on the planet,” he says. “Animals, my love for animals. I love animals, I love helping the environment, and things like that. But what I like the most when it comes to the band is the tour.

Feldman hit the road (get some tickets here) in support of his new complete four-part box set, Love left 2.1. He understands Love Left: Remixcompanion of his musical debut in 1992, love on the left, as good as Coreyoke Cabaretan instrumental set of the same songs, plus Lost lovea collection of rarities and demos, and finally Love Left 2: Arm Me With Lovea new collection of songs that builds on the themes explored in his debut album.

Music was actually Feldman’s first – if not love, at least skill he was forced into. “I actually started singing before I started acting,” he says. “Because at three you can’t get a job walking in and reading lines, it doesn’t really work that way, because you can’t read lines yet, you can’t read, so it’s It’s kind hard to read them off the page. So what my mom would do is she’d put me in a room and make me memorize songs. She’d put a record player on and she’d say , ‘OK, sit there, listen to it, memorize all the lyrics, and when you’re done, get out.’

“And so I would go out and sing it for her, and then if it was good enough, I would audition and sing, and that’s how I got my roles. So a lot of the ads I got were because I was memorizing and learning songs like Jim Groche’s “Junk Food Junkie” or “Put On a Happy Face”. All those cute little kids songs from the 70s.”

At the age of 10, he trained to dance to “Billie Jean” by Michael Jackson and began writing songs at 15 imitating parodies of “Weird Al” Yankovic. “I think it was the development of my career as a writer, because I figured out the phrasing and figured out how to do it comparing notes between ‘Weird Al’ and my favorite artists, where he was making parodies. So I wrote my first song when I was 15, which was called “Runaway”.

Looking back, Feldman sees parallels between “Runaway” and the abuse he suffered at the time. “I was a very distressed, distraught, abused child at that age. I wore all black, had long hair, not your average child actor,” he says. “I was in this very dark place, and I wore black everyday for a year and that was right before I ran away and emancipated myself and right before I got into drugs. The guys who assaulted me were in the video.

He continued: “It shows you that it was really a desperate cry for help, but I didn’t realize it at the time. At the time, I was just like, ‘Oh, well, these are just poor homeless kids or runaway kids who are in bad shape, and my heart bleeds for them, and that’s for that they raise awareness”, without realizing that I was really writing about myself.

That video is in the new box set, proof of both a precocious songwriter and the gauntlet he faced. But while Feldman is no longer running away from his troubles, he’s much more excited to talk about all the new songs he’s written.

“The idea was one or two new songs to put on the box that are in the vein of my first album. Because if you’re going to do a box set and you’re going to do a remix and a remaster, and you’re going to put out a bunch of unreleased material, it’s always good for the band to do a new song or two,” he says. “That’s how I justified writing and re-recording and all that and then the pandemic went on forever and while that went on we kept working and I just didn’t stop and 18 songs later I’m like, well, I guess we have another new album, so might as well put it in the box.

This includes “A Beautiful Soul”, his ode to Ben Keough, who was the son of Lisa Marie Presley. Like Feldman, Keough had been famous since before he knew what the word meant, and like Feldman, Keough struggled with all that extra attention. Unlike Feldman, Keough was never able to overcome his demons, die by suicide in 2020.

“We were very close and I had a lot of respect for him,” Feldman said. “I really loved him. He was a really lovely child and his death touched me a lot. He adds: ‘The lyrics to this song, I wrote him. It was cathartic, I had a lot of pain because he’s such a nice kid, and it’s a terrible loss, just a terrible loss. I don’t want to judge bad things, but at the end of the day, we were very close, he came to talk to me about his problems and he would kind of show up at my house at one or two in the morning and we would sit there and talk all night Just an amazing person, and such a loss. was acting in this song.”

Feldman also wrote new songs about his wife (“Without You”) and an ode to new beginnings (“Comeback King”). Reinvention has weighed heavily on his mind lately, even, or perhaps especially, because he’s finally settling into his own idea of ​​normality. Could there be yet another act for Corey Feldman?

“Nobody wants to see the same story over and over again,” he says. “You have to keep changing the story, keep building on the story to keep it interesting.” This applies both to his career and to himself. “As a human being, as a person, it’s all about personal growth. All I care about is being a better person, doing the right things and trying to find something meaningful in life.

He adds: “It has always been a little back and forth with me. Sometimes I pat myself on the head and troll the trolls, and there are other times when I maybe take myself too seriously, but either way I think it’s all about reinvention.

“We have to keep reinventing ourselves,” he says, “otherwise it gets boring.”

Corey Feldman on new music, writing songs for dead friends and putting his abusers in a music video: exclusive
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